Yu-Ning Yang opted for vellum paper, ink and other classic oriental painting materials for this series of creation. Nevertheless, her artworks from this series rise above the boundaries defining ink painting and calligraphy painting.
Yang is an expert in ink. However, instead of the conventional approach, repeated strokes to darken and strengthen the object, she prefers to dip the brushes in ink of various shades of black. With one brush one color tone at one go, it creates interesting color contrast delivered by spontaneous impulse and speed.